Thursday, November 22, 2007
Tragedy!
Whoever said lightning never strikes twice is wrong. My laptop crashed again and this time it took with it 4 years worth pictures, music and documents. No backup, cause I always beleived that laptop crashes happen to others and not to us. Tooo late now and I'm sulking away to glory. Might be a while before I post again, so try not to miss me tooo much! (I know it sounds like boasting, but its atleast helping me feel slightly better for whatever that is worth!)
Wednesday, November 14, 2007
Belated Happy Birthday!
My blog finished an year on Nov 6th and I missed the birthday.
Belated Happy Birthday!
Belated Happy Birthday!
Friday, November 09, 2007
Tongue Firmly in Cheek!
Om Shanti Om rocks!
I realize that I need to finish gushing before I can write up about the movie - here goes. Hats off to Farah Khan for lighting up my Diwali with a pataka of a film, the explosion of which will resonate for a long time to come. Hats off to the King Khan for backing up Farah and fulfilling her every demand as a producer, the movie is as lavish as it can get. And I'm in love all over again...Deepika Padukone looked ethereal in the movie and I cant wait to see more of her. The music is fabulous, the songs are spectacularly mounted, the camera work is flawless, the sets are fantabulous, the dialogues are apt and the acting topnotch.
Alright, gushing apart and out of the way, Farah Khan, who showed us how all the cliches in Bollywood can be used to create an endearing effect, how the old movies can be revamped to brilliant effect, how the over the top scenes of yore can be used to evoke humor...quite a master of the spoof, she proved herself to be. With Om Shanti Om, she takes the spoof genre to an altogether different level, much higher than anyone can hope to take it in a long time to come and much better than anyone has done in the recent past. All the references to the movies and movie stars of the time when they grew up are so ingeniously thought of and so well executed, you find yourself laughing your guts out and wishing we could get to see some more of those old melodramas from the Manmohan Desai era. The entire film industry makes an appearance in the movie...half of them appear in the special number and the other half during the superbly conceptualized Filmfare Awards function. The awards nite is a riot and Akshay Kumar will walk away with all the plaudits for that one (and he should really ask Farah to make Return of the Khiladi with him). Abhishek Bachchan is there too and so are a lot of other people who show that Bollywood is beyond petty issues, evident in the way all of the stars sportingly spoof their own movies.
Standout sequences include all of Shahrukh's scenes as a junior artist (dacoit, Quick Gun Murugan etc), all of his scenes as a superstar (Apahich pyaar, Mohabbat Man), all of his dream scenes...King Khan had loads of fun while doing the movie and it shows. Deepika does not have much to do except look pretty and that she does to stunning effect, my jaw kept dropping so often, anymore and I would have moved around with an open mouth for the rest of my life. Kiron Kher is tailor made for the role she plays in the movie, the over the top, has been junior artiste who thinks she should have played Anarkali must have been written with her in mind. Shahrukh's line in the movie describes her the best when he calls her 'meri filmy maa'. Shreyas Talpade is good and Arjun Rampal rocks as Mukesh and later Mike!
All in all, King Khan will rule yet another Diwali. If it was Don last year, it is Om Shanti Om this year. With the kind of feedback Saawariya is getting, it is obvious that Shahrukh will not eat his words - "Diwali is all his".
PS: As KK says, don't be in any sort of hurry to see the movie, it is going to be around for ages, so catch it at leisure. And have to include one of his gems, according to him Deepika Padukone played a sensuous ghost (deyyanni chooste bhayam veyyadam maanesi mood ostondi raaaaaa - exact words).
I realize that I need to finish gushing before I can write up about the movie - here goes. Hats off to Farah Khan for lighting up my Diwali with a pataka of a film, the explosion of which will resonate for a long time to come. Hats off to the King Khan for backing up Farah and fulfilling her every demand as a producer, the movie is as lavish as it can get. And I'm in love all over again...Deepika Padukone looked ethereal in the movie and I cant wait to see more of her. The music is fabulous, the songs are spectacularly mounted, the camera work is flawless, the sets are fantabulous, the dialogues are apt and the acting topnotch.
Alright, gushing apart and out of the way, Farah Khan, who showed us how all the cliches in Bollywood can be used to create an endearing effect, how the old movies can be revamped to brilliant effect, how the over the top scenes of yore can be used to evoke humor...quite a master of the spoof, she proved herself to be. With Om Shanti Om, she takes the spoof genre to an altogether different level, much higher than anyone can hope to take it in a long time to come and much better than anyone has done in the recent past. All the references to the movies and movie stars of the time when they grew up are so ingeniously thought of and so well executed, you find yourself laughing your guts out and wishing we could get to see some more of those old melodramas from the Manmohan Desai era. The entire film industry makes an appearance in the movie...half of them appear in the special number and the other half during the superbly conceptualized Filmfare Awards function. The awards nite is a riot and Akshay Kumar will walk away with all the plaudits for that one (and he should really ask Farah to make Return of the Khiladi with him). Abhishek Bachchan is there too and so are a lot of other people who show that Bollywood is beyond petty issues, evident in the way all of the stars sportingly spoof their own movies.
Standout sequences include all of Shahrukh's scenes as a junior artist (dacoit, Quick Gun Murugan etc), all of his scenes as a superstar (Apahich pyaar, Mohabbat Man), all of his dream scenes...King Khan had loads of fun while doing the movie and it shows. Deepika does not have much to do except look pretty and that she does to stunning effect, my jaw kept dropping so often, anymore and I would have moved around with an open mouth for the rest of my life. Kiron Kher is tailor made for the role she plays in the movie, the over the top, has been junior artiste who thinks she should have played Anarkali must have been written with her in mind. Shahrukh's line in the movie describes her the best when he calls her 'meri filmy maa'. Shreyas Talpade is good and Arjun Rampal rocks as Mukesh and later Mike!
All in all, King Khan will rule yet another Diwali. If it was Don last year, it is Om Shanti Om this year. With the kind of feedback Saawariya is getting, it is obvious that Shahrukh will not eat his words - "Diwali is all his".
PS: As KK says, don't be in any sort of hurry to see the movie, it is going to be around for ages, so catch it at leisure. And have to include one of his gems, according to him Deepika Padukone played a sensuous ghost (deyyanni chooste bhayam veyyadam maanesi mood ostondi raaaaaa - exact words).
Sunday, November 04, 2007
Catching up!
I've managed to catch up with Johnny Gaddaar and Jab We Met this week. Both highly recommended.
After having read all the good stuff about Johnny, there was a lurking fear that I might be disappointed. But the fears were entirely unwarranted as the movie was all that I could hope for and slightly more. The movie starts off with the hero reading Erle Stanley Gardener and the heroine reading Guide (a pointer to his deceit and her adultery?) and moves along surefootedly in the very manner of a Gardener novel. The premise being simple, one of the best things Sriram Raghavan, the director, does is that he does not intend the movie to be a whodunit. It simply follows the travails of our Gaddaar once he goes through with his gaddaari. Each of the five gang members is given a distinct touch by which to remember it...Even the first to be bumped off, Shiva, has a south indian girlfriend, Vyjayanti, obviously south indian, who brings him 'lemon rice' when he is about to set out on a journey. Dharmendra turns in a likeable performance, Neil Mukesh is restraint personified, Vinay Pathak rocks, Zakir Hussain is snake like, slithery and full of venom, Asha Kalsekar is outstanding and the twist at the end catches you by surprise. All in all a good movie that probably fell flat due to its non-star cast. This one will surely enjoy a good run in the home video section.
Jab We Met is for people who like to go to the theatre and see how delightful a slice of life movie can be. RamGopal Verma, with all his underworld sagas, had almost convinced me that a real life movie means it has to be extremely dark and depressing. But here, with characters that do not talk in the "Mooh haath dholo betaa, gajra kaa halwa khilaadoongi language", the movie proves to be extremely refreshing. The other guy, for example is actually fedup with Kareena's constant chatter about 'ghar kaisaa hogaa, balcony kaisaa hogaa, parde kaise honge' etc instead of being enamored by all the sweet talk. And the movie really came down to Kareena...full of wide eyed innocence and non-stop 'I'm my favorite' chatter, she was a delight to watch. This delightful, gullible character so pulls you in that you feel bad when she becomes a sober person in the second half. You want to tell her that all that has happened to her was not because she was an idiot, it was because she chose the wrong idiot. This identification is what you take back home, because the characters stay long after the lights have come on and you go home. Dont be surprised if you find yourself full of hope when you step out of the theater, Imtiaz Ali's second feature can do that to you!
After having read all the good stuff about Johnny, there was a lurking fear that I might be disappointed. But the fears were entirely unwarranted as the movie was all that I could hope for and slightly more. The movie starts off with the hero reading Erle Stanley Gardener and the heroine reading Guide (a pointer to his deceit and her adultery?) and moves along surefootedly in the very manner of a Gardener novel. The premise being simple, one of the best things Sriram Raghavan, the director, does is that he does not intend the movie to be a whodunit. It simply follows the travails of our Gaddaar once he goes through with his gaddaari. Each of the five gang members is given a distinct touch by which to remember it...Even the first to be bumped off, Shiva, has a south indian girlfriend, Vyjayanti, obviously south indian, who brings him 'lemon rice' when he is about to set out on a journey. Dharmendra turns in a likeable performance, Neil Mukesh is restraint personified, Vinay Pathak rocks, Zakir Hussain is snake like, slithery and full of venom, Asha Kalsekar is outstanding and the twist at the end catches you by surprise. All in all a good movie that probably fell flat due to its non-star cast. This one will surely enjoy a good run in the home video section.
Jab We Met is for people who like to go to the theatre and see how delightful a slice of life movie can be. RamGopal Verma, with all his underworld sagas, had almost convinced me that a real life movie means it has to be extremely dark and depressing. But here, with characters that do not talk in the "Mooh haath dholo betaa, gajra kaa halwa khilaadoongi language", the movie proves to be extremely refreshing. The other guy, for example is actually fedup with Kareena's constant chatter about 'ghar kaisaa hogaa, balcony kaisaa hogaa, parde kaise honge' etc instead of being enamored by all the sweet talk. And the movie really came down to Kareena...full of wide eyed innocence and non-stop 'I'm my favorite' chatter, she was a delight to watch. This delightful, gullible character so pulls you in that you feel bad when she becomes a sober person in the second half. You want to tell her that all that has happened to her was not because she was an idiot, it was because she chose the wrong idiot. This identification is what you take back home, because the characters stay long after the lights have come on and you go home. Dont be surprised if you find yourself full of hope when you step out of the theater, Imtiaz Ali's second feature can do that to you!
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